![]() ![]() The ASC MHL, or Media Hash List, is an important metadata application that tracks the integrity of all media files along with a chain-of-custody and verification of data and provide a reference for digital motion picture production and can be used for data management, archiving and exchange purposes. This is based on the new ASC MHL format specification by the Advanced Data Management Subcommittee of the ASC Motion Imaging Technology Council (MITC) at the American Society of Cinematographers (ASC). The integration with ASC MHL means that evrExpanse also has the functionality of creating ASC MHL ( ASC Media Hash List) files. The integration with Assimilate SCRATCH© allows you to import automatically the source file, camera metadata and user metadata from evrExpanse into SCRATCH, making it possible to use this information for further analysis and metadata management in your post-production pipeline. FCPXMLD) and the application will prompt which library to import the files into, or import the FCPXML file directly from within the application. You can either double-click on the exported file (.FCPXML or. Importing the media files and their metadata into Final Cut Pro is straightforward. When media files are imported, their metadata is inherited by all media files already present in the FCP event or timeline. The exported file is available in two formats. With evrExpanse's FCPXML export function, you can easily import processed media files and their metadata into a new event within an existing FCP library. It recognises the type of camera and accurately maps the metadata tags, making it simple to export and import into various Non-Linear Editing (NLE) systems such as DaVinci Resolve©, Final Cut Pro©, Assimilate SCRATCH©, Avid Media Composer©, and Pomfort Silverstack©. The tool is camera-aware, which means it can extract the same metadata type from different cameras in a standardised way. ![]() ![]() With evrExpanse, metadata extraction and mapping from different cameras is a breeze. Supported MHL: ASC MHL creation with hash format xxHash (64-bit, and latest XXH3 with 64-bit and 128-bit), MD5, SHA1, SHA256, C4 Camera-Aware Metadata Mapping for NLEs Supported camera metadata: Panasonic, Nikon, Sony Alpha, Fujifilm, Canon, Sony XDCAM, Z Cam, Kinefinity, Atomos (Ninja & Inferno), McPRO24fps, GoPro, FiLMIC PRO, Apple iPhone. Supported FCPXML version: 1.9 (.fcpxml) and 1.10 (.fcpxmld) Supported NLEs: DaVinci Resolve, Final Cut Pro, Assimilate SCRATCH, Avid Media Composer, Pomfort Silverstack. Browse sequence-based and timecode-oriented with a unique info-timeline, open movie-typical file types such as DPX, Cineon, TIF in practically any resolution (NTSC/PAL, HD, 2k, 4k, 6k), change the SMPTE time codes and frame rates in headers of entire DPX image sequences, extract color-channels and inspect color with a selective RGB histogram, zoom and pan to see every single pixel even on smaller screens, apply Gamma- or LUT-based color linearization for logarithmic material with custom presets, apply primary grading (basic RGB-grading capabilities for both linear and logarithmic color spaces) and playback previews of image sequences on any machine using built-in QuickTime-based player.Įxport QuickTime movies with various settings such as frame rate, resolution, codec and quality of your movie, choose various textual burn-ins such as time codes in different fps, file and folder names or custom metadata, zoom/crop your images and apply black bars to fit different aspect ratios, apply primary grades and linearization filters to your movie.Supported media file container: MOV, MP4, MXF Pomfort SilverStack provides lightweight but professional handling of image sequences including extensive features for viewing, managing and exporting of image files including DPX and Cineon formats. ![]()
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